Francis Bacon's Study for a Portrait Sold for 28 Million at Christie's eXtravaganzi

FRANCIS BACON 8 studies for a portrait 1953 Studies I to VIII / from Eight Studies for a

Study for a Portrait 1952 © Estate of Francis Bacon. All Rights Reserved, DACS 2024 License this image Not on display Artist Francis Bacon 1909-1992 Medium Oil paint and sand on canvas Dimensions Support: 661 × 561 × 18 mm frame: 880 × 740 × 73 mm Collection Tate Acquisition Bequeathed by Simon Sainsbury 2006, accessioned 2008 Reference T12616

Francis Bacon Three Studies for a Selfportrait ARTPLEASE

Painted in Paris in 1977, and held since that time in the distinguished collection of Magnus Konow, Francis Bacon's Study for Portrait is a powerful eulogy to his greatest love and most important subject: George Dyer. Raised up majestically against a thickly stippled velvet black screen, his near-sculptural form casts a long dark shadow, poignantly reminiscent of the artist's own silhouette.

Study for a Portrait by Francis Bacon Artvee

Francis Bacon 1909-1992 Study for Portrait on Folding Bed 1963 T00604 Oil and sand on canvas 1981 x 1473 (78 x 58) Inscribed on back of canvas in black oil paint 'Study for Portrait on Folding Bed 1963' top right Purchased from Marlborough Fine Art Ltd., London (Grant in Aid), 1963 Exhibited: Francis Bacon, Marlborough Fine Art Ltd.,New London Gallery, London, July-Aug. 1963 (9, repr.)

Francis Bacon (19091992) , Study for a Portrait Christie's

Francis Bacon's Study for a Portrait, 1953 is presently on display at Hamburger Kunsthalle in Germany. The painting is part of the museum's permanent collection which, in full, includes art from eight centuries.

Study for a Portrait (looking left), 1962 Francis Bacon

Study for a Portrait II 1953 Oil on canvas 60 ½ x 45 ½ in. (153.5 x 115.5 cm) Further Details 1964 Cr Number Alley 60 Collection Private Collection Exhibitions Solo , Grover Cronin Store, Waltham, Massachusetts, January 1955 'Francis Bacon: Paintings', Marlborough Fine Art Ltd, Tokyo, 18 October 1988 - 21 January 1989

Francis Bacon's Study for a Portrait Sold for 28 Million at Christie's eXtravaganzi

Appearing at auction for the first time, this portrait by Francis Bacon opens a window onto one of the most important relationships of his life. In this video, discover how Bacon fused the influence of Michelangelo and Eadweard Muybridge with own delicate painterly style to depict his close companion John Edwards. Edwards was a bar manager from the East End of London who became the sole heir.

Gemälde Reproduktionen Study for Portrait VII von Francis Bacon (15611626, United Kingdom

Study for a Portrait 1967 [67-11] Francis Bacon British, born Ireland (1909-1992), oil on canvas, 61 x 55 in. (155 x139.8 cm). Seattle Art Museum, Gift of the Friday Foundation in honor of Richard E. Lang and Jane Lang Davis, 2020.14.7. Photo by Spike Mafford / Zocalo Studios.

Study for a Portrait of a Man in Blue, 1952 Francis Bacon

Francis Bacon's portraits of screaming heads and contorted figures trapped in boxes and cages are among the most disturbing images of the human figure in the history of 20th-century art. Study of Portrait VI, a masterpiece in this genre, offers deep insights into Bacon's alarming commentaries on the human condition.

Study for a portrait. Francis Bacon, 1966. oil on canvas. Bacon art, Francis bacon, Painter

VII, 272 p., [16 p. of plates] : 24 cm Includes bibliographical references and index Interviewing Francis Bacon -- Interview one: from a conversation with Francis Bacon -- Francis Bacon at work -- An obsession with popes -- Francis Bacon in the 1950s -- The sacred and the profane -- Francis Bacon and the School of London -- Interview two: reality conveyed by a lie -- The legacy of genius: Van.

Study for a SelfPortrait, 1964 Francis Bacon

Francis Bacon in David Sylvester, Interviews with Francis Bacon, London 1975, revised as The Brutality of Fact: Interviews with Francis Bacon, 1980, 3rd ed. 1990, 4th ed. as Interviews with Francis Bacon, 1993, p.38 Alley 1964, p.92 Study for Portrait I (after the Life Mask of William Blake), 1955, private collection, and Study for Portrait III (after the Life Mask of William Blake), 1955.

Study for a Portrait (looking right), 1962 Francis Bacon

Publisher: New Haven and London: Yale University Press. Year: 2008. Language: English. Pages: 272. ISBN/ISSN: 9780300142556. Other Publication Details: The essay 'An Obsession with Popes' was originally published as 'Capturing the silent scream' in Country Life, 8 Feb. 2007, pp. 82-84.

Francis Bacon. Study for a portrait 1952. Francis Bacon often based his paintings on a variety

Study for Portrait. Painted in 1977, this poignant celebration of George Dyer, the artist's most important subject, starred in Christie's Post-War and Contemporary Art Evening Sale on 17 May in New York. Francis Bacon (1909-1992), Study for Portrait, 1977. Oil and dry transfer lettering on canvas. 78 x 58⅛ in (198.2 x 147.7 cm).

Study for Portrait, 1949 Francis Bacon

Article Francis Bacon's painting Study for a Portrait (1952), at times known as Businessman I or Man's Head deals with the motif of the scream, an important and recurring visual in Bacon's body of work. The painting depicts the head and shoulders of a screaming male figure, who wears glasses, a suit and a tie.

Museum of Fine Arts, Houston spotlights Francis Bacon's final works CultureMap Houston

Francis Bacon Study for Portrait VII 1953 On view MoMA, Floor 5, 522 The Alfred H. Barr, Jr. Galleries Bacon was a key figure in the School of London, a group of artists pursuing figurative painting in the decades following World War II. Throughout his career, Bacon endeavored, he said, "to make the best painting of the human cry."

The Art of Francis Bacon Odd Nugget

Art and Artists Artworks Study for 'Portrait of Van Gogh IV' Francis Bacon Study for 'Portrait of Van Gogh IV' 1957 © Estate of Francis Bacon License this image Not on display Artist Francis Bacon 1909-1992 Medium Oil paint on canvas Dimensions Support: 1524 × 1168 mm frame: 1600 × 1225 × 90 mm Collection Tate Acquisition

FRANCIS BACON (19091992) , Three Studies for a SelfPortrait Christie's

Typical of Bacon's work in this period, 'Study for Portrait No. 6' shows an anonymous, suited figure (possibly taken from the newspaper or magazine cuttings Bacon collected) enclosed in a claustrophic box-like space. His arms truncated, the man's torso merges into his surroundings, heightening the sense of enclosure.